Many great reviews for ARIADNE AUF NAXOS...!
A stellar cast, an amazing orchestra, a stunning set and a very intriguing direction: all critics praise the recent production of Opera North’s ARIADNE AUF NAXOSwith 4 or 5 stars!
Conductor Antony Hermus maintains flawless balance both within the pit and between pit and stage. With Opera North’s orchestra sounding as if they have fallen completely in love with Strauss’ score, the gorgeous music simply gleams. The Stage
Conductor Antony Hermus was always fully in control of the relatively small orchestra, evoking the quickly-passing beauty of Strauss' constantly shifting moods and atmospheres with great skill. Bachtrack
Antony Hermus conducts with considerable finesse, and the playing is impeccable in its elegance and sensuous detail. The Guardian
Antony Hermus conducts this tricky, allusive score with vim. Daily Telegraph
The evening has many other good things to offer, not least the slim-line orchestra under Antony Hermus. He is in his element in the Prologue, bringing a Mozartian jollity to Strauss’s lyrical riches. Yet he also conjures a tender intimacy from the chamber music opening of the Opera overture and velvety horn obbligato for Ariadne’s first aria, before unleashing a boisterous but disciplined finale. Charleshutchpress
Opera North principal guest conductor Antony Hermus coaxes a beguiling richness of sonorities from his players. The sound is not so much orchestral, more like big chamber music. This sonic canvas is in perfect harmony with the opera’s fascinating blend of hectic backstage comedy and classical mythology. Ilkley Gazette
In the pit, Anthony Hermus drew vividly lithe playing from the orchestra. Planet Hugill
Antony Hermus builds up skillfully the tension of the second half to its ecstatically Wagnerian finale. The Times
Above all, Antony Hermus’ conducting, as always, radiates commitment and energy. The Reviews Hub
Antony Hermus conducts with finesse, and the playing is at its best. Mag North
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